relations, of beating hearts, and meeting eyes; of poverty and necessity and hope and fear.

These were his inspirations, and these are the effects he carries home to your heart and mind. In proportion to his force, the artist will find in his work an outlet for his proper character. He must not be in any manner pinched or hindered by his material, but through his necessity of imparting himself the adamant will be wax in his hands, and will allow an adequate communication of himself, in his full stature and proportion. He need not cumber himself with a conventional nature and culture, nor ask what is the mode in Rome or in Paris, but that house and weather and manner of living which poverty and the fate of birth have made at once so odious and so dear, in the gray unpainted wood cabin, on the corner of a New Hampshire